Preview of Bear Creek Music and Art Festival! Nov 12-14 Live Oak, FL

Bear Creek Music and Art Festival is held in Live Oak, FL at The Spirit of the Suwannee Music Park.



We know how important festival season is to some people, so how about extending the festival season into November?! New England is not nearly as aware of this festival as they should be.



Taking a look at this festival, we think it'd be impossible for you to leave Bear Creek unsatisfied. This year, they are about 65 total bands, with 17 of those bands playing two nights, and 12 different artists at large- an aspect of this festival that I haven’t seen at any others. There will be 6 stages, a fully staffed area for children, and also an art studio for live art!



And other entertainment as well!



Typically, most other festivals are not capable of fitting in two nights of any band. How Bear Creek managed to fit in 2 nights of 17 different bands is beyond us! Among this group of bands playing two nights is Lettuce, Umphrey's McGee, Toubab Krewe, Dumpstaphunk, and Zach Deputy.

Also playing at Bear Creek this year is Moe., Soulive, Bernie Worrell & Social Lybrium, Big Sam's Funky Nation, The Dead Kenny G's, The New Deal, Break Science....well the list goes on and on, so check out the website!


The artist's at large at Bear Creek this year is one hell of a treat. Skerik is among these artists, and has played with many great musicians, spending a while on tour with Les Claypool and his fancy band, as well as juggling a few bands of his own (The Dead Kenny G's being one of them!). Also on this list is Mike Dillon (who has worked with Skerik, Les Claypool, Galactic, etc), Fred Wesley (known for his work with James Brown, Parliament-Funkadelic and Bootsy’s Rubber Band), and The Shady Horns (Ryan Zoidis and Sam Kininger of Lettuce!). Knowing that these artists will be jumping on stage to jam at various points is an aspect of this festival I am very excited for.

Not only is the music going to be amazing, but the venue is incredible as well.



Located in Live Oak, FL at the Spirit of the Suwannee Music Park, this is probably one of the best venues for a festival Ever. Picture it: bath houses, disc golf, hiking trails, golf-cart rentals, modern cabins, mini golf, sports lounge, swimming pool, fishing lake, bat houses, and canoe trips. We couldn't think of anything else we might need at a festival!




Bear Creek 2010 is being sponsored by Starr Hill. Do not fear, there will be delicious beer.


Here's the link to the Bear Creek forum. Chat with others about rideshare, line-up, or any other details!
http://www.funknjam.com/phpBB2/index.php?sid=a569b82b4e1013f59746b490972f2d1f


Head over to this website for tickets, or any other information you might need! Day by day line up is up, hourly schedule will be announced a couple weeks before the festival.
www.bearcreekmusicfestival.com

Rustic Overtones Review!

By guest writer Devon Mitchell!

The Rustic Overtones, an amazing band that has been drawing attention to crowds both young and old for several years, have been touring to promote their newest album "The New Way Out" which was released in September of 2009.

The band originated in Portland, Maine and began playing live, local shows when they were just teenagers. Adding more venues as often as possible, they quickly found that people would fall in love with the group and their diverse sound.

What I have found and love about the Rustic Overtones is the fact that their music has a little of just about everything. There's definitely something for everyone and every mood, ranging from a little punk rock to jazz to funk…everything you could really ask for from a band.
I have been lucky enough to see these guys play several times this year, with a few more upcoming shows that I plan on attending as well, and I never leave disappointed. I am just as excited to see them play next time as I was before my first Rustic show ever. I have to say, getting to see them play live two nights in a row this month certainly made my summer.

The first show was at The Stone Church, a smaller bar located in Newmarket, NH which fits about a total of 100 people. Talk about being able to get up close and personal with the musicians! The venue was packed full, again with the audience ranging quite a bit in age. The second show was the 4th annual Hill 'N The Ville Music Festival located in Waterville, Maine on September 11th. This show took place outside during the day, and was definitely a more family friendly event. Due to this atmosphere, I was able to truly notice the diversity of fans that this group has acquired over the years. A large portion of these fans were under the age of 18 (who can't see them play at a bar) and were dancing and rocking out to the sound of these guys, along with their parents and grandparents even! We got lucky with beautiful weather for this outdoor event. Both sets Friday and Saturday were very pleasurable to say the least.

You can see that these guys totally enjoy what they are doing, and are never lacking in soul or rhythm. Rustic closed both shows with one of their bigger singles "Combustible" off of their CD Viva Nueva. Dave Gutter joined the crowd for this song, and everyone just ate it up. Makes for the perfect ending to an already good show.
Even though the Rustic Overtones have become more popular with their new CD, they always remain loyal to their hometown of Portland and state of Maine. To me, that means a lot. It seems as though people forget where they came from when they 'make it' This is certainly is not the case with these guys.
As someone that has been a Rustic fan for quite sometime now, I can honestly say that I enjoy their newer CD just as much as their old. Even with the new approach i still feel like I am listening to the same band. The break they took did not seem to interrupt the uniqueness that makes the Rustic Overtones so special.

So, one way or another, whether your an old fan or someone that is just tuning in, I highly suggest you catch a live show of these guys. I promise you will not be disappointed, and you always get more than you pay for!
Also, check out their new CD "The New Way Out" which you can find at Bullmoose, Amazon and Itunes as well, or you can always pick up an old one too!

Interview with The Rustic Overtones!

The Rustic Overtones played a great show at The Stone Church in New Market, NH on Friday 9/10.



Dave Gutter was kind enough to meet with TWLSB after the show so we could ask a few questions about the band. Enjoy!

TWLSB: You guys all took a break for a while, right?

DG: Yea, we took a break for about 4 years.


TWLSB: You all kind of went your own ways, each going through individual musical growth, so was it difficult to pick back up where you left off?

DG: It wasn’t actually...it was a very natural progression getting back together. I think someone once said that it’s like riding a bike with five of your other friends. It was a really good thing, we all kind of missed it a lot. We all love the music and love the shows. It’s a real natural energy that I think we missed a lot. As soon as we got back together it was very invigorating and fun.


TWLSB: How did Nigel Hall come into the picture?

DG: Nigel is a good friend of ours. He’s actually played with us for a while, just casually jamming with us a lot. He has like 5 gigs, so it’s really difficult to nail him down for one show with us. It was a huge pleasure to have him work with us on the album. We got him out on the road with us right after the album came out, and a little bit before, but he's definitely got a lot going on.


TWLSB: Your songs seem to have quite a range in style…is this due to a wide range of influences?

DG: Yea, it’s a huge democracy of all these influences that come from every different member. It started off as a real cluster fuck of all the influences, but it finally got to a point where we kind of honed in on which influences to use. And when we’re under those influences….well it’s just a compromise. Like, Tony listens to Slayer and Ryan listens to Charlie Parker, so you can’t really put those two together. So we took a while experimenting what styles we can put together, and we came up with some pretty unique things, and that’s kind of how our songs evolved.


TWLSB: What have you been listening to lately?

DG: I’ve been listening to a band called White Denim lately. I’ve been listening to a lot of hip-hop. There’s some Kanye West stuff that hasn’t been out on the album yet. There are these singles that’ve been leaked on the internet, real good newer stuff. I like the new OK Go record too. And The Flaming Lips.


TWLSB: Are you writing new material? How does that usually work?

DG: I usually write a lot of songs on my acoustic guitar, and I’ll bring it to the guys and they usually shape-shift the whole thing. I come with skeletons or blue prints of songs that are very open to interpretation and change. Aside from the lyrics, the whole thing can change sometimes, and I’m open to that. It’s good to have everyone from the band kind of put their stamp on it.


TWLSB: How was it starting out in Maine? Is Portland a good output?

DG: It’s challenging as far as getting out of Portland and getting to other places, but it’s a really inspirational place to live. Portland is a very beautiful, peaceful place as far as writing from your soul, and creating some really pure music. There are so many great bands there, but like some of the bands that practice in the studio next to us, they don’t even play out. It’s hard to get out in Maine.
Until recently, there was a huge lack of clubs for people to play. Even now, for like really good hip-hop, punk rock, or hard-core there’s still a lack of clubs and underage clubs. That’s the thing that’s hard about Portland; is actually getting your music out there and getting out of Portland and touring. As far as writing though, all the bands from Portland are amazing writers.


TWLSB: So how long did it take you guys to push out of Portland?

DG: We probably toured out of state when we were about 19. As soon as we could, really. You gotta try to get out of your hometown to achieve success.
TWLSB: You got out, but you still seem to stick within.
DG: Yea, we are really, really faithful and loyal to Portland, as much as we can be. We love Portland.


TWLSB: What was your most effective output though, did the record labels help most?

DG: Nope. It was getting out there and playing in front of people. The live thing is way more personal than a record. It’s so hard to reach people sometimes with a record. You know, they’re doing something else and listening to the record usually. But when it’s live, I’m the guy with the loud microphone and big lights, and you can pay attention and soak it in.
TWLSB: You guys definitely have soul to your performances too, and that energy can’t be delivered as well through a record.
DG: *Jokingly* Well, we’re lip synching, but I’m still feeling it.


TWLSB: Any local music in the Portland area you can recommend?

DG: An artist named Thommy, he’s an artist I work with that I really like. There’s a band named Brenda…Brenda is amazing. I really like Gypsy Tailwind, Grand Hotel, Plains, which is actually Dave Noyes’ band. There’s a ton of bands in Portland that I’m really into.


TWLSB: What record labels have you guys worked with?
DG: Our first major label was Arista. Then we signed with Tommy Boy, and then we signed with Velour…the labels passed us around for a while.


TWLSB: What's the biggest show The Rustic Overtones have played?

DG: This one, The Stone Church definitely. *laughs* It’s hard to say… There was a show in Connecticut, I think it’s called The Meadows. It’s kind of an interesting story. A good friend of mine gave me some pot brownies, and they didn’t work. They were so delicious though, so everybody, even people that don’t get high ate all the pot brownies. We were like ‘ yea they don’t work anyway, so don’t worry about it.’ About 4 hours later it kicked in, and we were about to go out in front of something like 40,000 people. And well, that was our biggest show.
TWLSB: How’d it go?
DG: Oh it went great. I don’t really remember much of it, but it was definitely a good show.


TWLSB: How come you guys don’t play up in the Umaine Orono area anymore?

DG: Well they used to do Bumstock and stuff, but there’s no place to play up there really…
TWLSB: Come to The Dime! It’s an excellent place to play.
DG: Is it? That’s good to know. They asked us to play a while back but I think we were really busy at the time. Good to know, though, we’ll keep it in mind.


TWLSB: Any advice for bands starting out or young musicians?

DG: You have to get out there, play at any place any time you can when you first start out. And even though it’s hard, don’t play Sweet Home Alabama and then mix in your original stuff. Just get out there, play straight original stuff, and believe it. Don’t feel like you have to rely on throwing Free Bird into the set. Try to really stand behind your original music when you start out, and people will eventually believe in it too.


Thanks again to Dave Gutter and The Rustic Overtones for their time and an excellent show, and Devon Mitchell for setting everything up!
We highly recommend that you all catch a live show of this local minded down to earth rockin' band from Portland, ME.
Go to http://www.therusticovertones.com/ to check out tour dates!

American Folk Festival Review

The American Folk Festival is well known as a wonderful cultural and diverse event and people come from all over to attend. The Way Live Should Be was only able to attend Friday evening, but the sample of music we were able to here is a testament to the entire weekend. In one night, we were able catch blue grass, gypsy, cape Breton, Korean drumming, Cajun, and Quebecois styles of music. If you have never been to the folk festival, or don’t think you would like the music there, please allow me to assure you its more than worth attending, every single year. Included here is a few impressions of the many different styles the Way Live Should Be caught in just two and one half hours at the Folk Festival right here, in Bangor, ME.

As is tradition at the Folk Festival, the Pride of Maine Black Bear Marching Band started off the festival beginning near West Market Square and parading over to the Railroad Stage. These guys are really pretty phenomenal, all dancing together and playing in time and in general having and giving a great time. Its pretty awesome that Maine musicians get to start the festival off with such a bang; it gives the festival a sense of place and reminds us all that Bangor, Maine is the host for a significant cultural event.

The next artist we caught was A Taste of Celtic Colours, playing music from Cape Breton. Their music was downright beautiful, a sound based in solidarity and ties to the land. The musicians in this band played a variety of instruments, including keys, violin, guitar, and fiddle. Many of their songs reach really elevated crescendos and often members of the band would come to the front of the stage and dance, taking such joy from their own sound. Their music in general was incredibly joyful, an incredible pleasure to listen to. One thing we found particularly interesting was the element of the keys, something formely we had not seen associated with Celtic music. They were a key element of the sound, and the musican playing the keys played one solo that was very technical and classical, proving his undeniable talent. All the musicians in the band were incredibly talented and we really, really enjoyed their set!

The Other Europeans Band was next and these guys were really wild. Classified as “Klezmer and Gypsy” music sometimes these guys reminded me of old silent films music, but others I was blown away by their technicality. At any given time there were anywhere from 6-14 musicians on stages; although there are 14 total musicians, they often divide themselves into a six piece or an eight piece depending on the style or composition they play. However, they also often all play together, or any combination in between. Instruments played included, but were not limited to, violin, accordion, standing bass, trumpet, clarinet, tuba, fiddle, trumpet, traditional keyboard and percussion. There was also some crazy type of zylephone keyboard thing that was played with mallets. Their music had a definite classic quality, but often featured an extremely fast tempo and intense crescendos. Along with the silent films feel, many songs were carnival like and very fun… a roller coaster of sounds, tempos, and styles. Maybe not my favorite band of the night, but a very intriguing show.

The next group I checked out was Noreum Machi, Korean Samul Nori drumming and dance. This was really cool, but definitely as much about the costumes and dance as the music. Featuring very heavy drumming and a sort of flute often associated with snake charming, the sounds were interesting and certainly well put together. The sound was almost tribal, and their traditional garb was gorgeous, I especially liked the hats which featured 3 foot long bouncy tassel decorations. This show helped me to appreciate the variation and extreme diversity of sounds from around the world… incredibly interesting show!

When I think Cajun, I think spicy. That being said, Cajun music was NOTHING like I expected. The Pine Leaf Boys put on a great show and obviously had a grand old time on stage. Their music was some unique combination of country, blues, celtic, and polka! They consisted of a fiddle player, acoustic guitar, accordion, electric bass, and drums. This show was obviously a crowd favorite and the vocals were great; lots of crooning and hootin and hollerin. People were seriously getting down to these guys and I can understand why, these guys had lots of rhythm!

The peak and last performance of the evening was Le Vent Du Nord, Québécois music. These guys had a lot of French lyrics, but you didn’t have to understand French to be able to hear what phenomenal musicians they were. The heavy bass, extensive and lovely voice harmonies, and emphatic violin made for a truly beautiful and traditional sound. I heard some Celtic references with these guys too, but it may have a lot to do with the fact that they shared that back-to-land, solidarity based, joyous type of sound. They were somewhat more ambient than any of the others bands that evening though, creating a very emotional and echoey sort of feeling in their music. They also played the acoustic guitar, piano, and drums. Even the fiddle/violin player’s feet were miked, adding a really fun, extra percussion element. Sometimes I would think their sound was very traditional, and then they were introduce musical elements I had never experienced before. One example was the wild accordion like instrument with a crank sort of handle on the side. Depending on how fast or slow the musician turned the crank influenced the speed of the notes he was playing and could give the music either a heightened feeling or an even more haunting, ambient affect. Definitely my favorite instrument of the night. The musicianship behind this band is mindblowing, they were constantly switching instruments and created an Immense amount of sound for just four guys. Their music was festive and fun one minute, and then ancient and haunting, but lovely the next. The passion these guys had too… I only hope they return to the festival in the future because this was a show I would have paid to see in a heartbeat. I hope you didn’t miss this!!

http://www.americanfolkfestival.com/
http://leventdunord.com/
http://www.americanfolkfestival.com/assets/Bangor_Daily_News_-_Pine_Leaf_Boys.pdf
http://www.americanfolkfestival.com/assets/Bangor_Daily_News_-_The_Other_Europeans.pdf
http://www.americanfolkfestival.com/assets/Bangor_Daily_News_-_A_Taste_of_Celtic_Colours.pdf
http://www.americanfolkfestival.com/assets/Bangor_Daily_News_-_Noreum_Machi.pdf

Review of Maine Vocals' Hempstock Aug 19-22

HEMPSTOCK in Harmony, ME! Hosted by Maine Vocals!



Hempstock is a celebration of marijuana culture that has been happening annually for more than a decade. Put on by Maine Vocals, Maine’s primary grassroots marijuana activist organization, you can’t miss what this festival is really all about. From Captain Joint, to the plants on stage, people everywhere at Hempstock are blatantly standing up for their rights. Marijuana prohibition is ridiculous, unjust, profoundly unconstitutional and this festival is one way Maine activists can join together and be proud of their values and make a stand against failing laws.

Hempstock has a proud history in Maine. That all being said, no one can escape it; attendance is seriously down at this festival. It is not obvious why this might be… it’s only recently still that Maine Vocals split from Harry Brown’s farm, so maybe it is due to the fame of the Starks location. Maybe it’s the economy. Maybe it’s the remote Harmony, ME location or the music selection? Whatever it is, it’s a damn travesty, because the people that put on Hempstock are fighting for a right many of us take for granted everyday… the right to smoke marijuana.



The location at Harmony may be remote, but if you haven’t yet, you should really see it. The field is big, flat (such nice camping compared to a steep slope!) and the secret that few actually realize… there is another field just as big and connected to the main festival area by a short dirt road. By short I mean a very short, enjoyable walk. The potential for this festival to grow and fill both fields is limitless… as I walked the road I could just picture the Shakedown Street that could form there; the vendors that could line that road, it would be incredible!



My main criticism of the festival was their music choices. The few bands that stood out were real gems, but the rest were pretty much just cover bands. It really felt endless after a while. I heard three or four covers of Bill Wither’s Use Me, and so many Grateful Dead covers (not even by the Grateful Dead cover band) that it really got old quick. For the people who go to festivals mainly for the music, it’s a real turn off. However, I do have to reiterate the few bands really worth seeing were excellent. Following is a short summary of a few of those great bands.

The first show that WLSB caught was Soul Robot. We knew we loved these guys from their show at The Dime last year… really talented musicians. The dueling guitars in many of the songs seemed to challenge the guitarists to greater heights, bringing out some seriously sick jams. They played quite a few covers like I Know You Rider and Fire on the Mountain by The Dead and Back on the Train and Down with Disease by Phish. Lots of Phish and Grateful Dead. I often find myself wishing for more originals, yet I cannot deny that these guys do what they do so ridiculously well that I think I really enjoy it just as much. My main complaint; this show was relatively similar to the one I saw at the Dime. These guys are great musicians, but I would like some more originals, and maybe for them to mix the covers up a little bit more.

That night (Friday) included Supernaut, a Black Sabbath Tribute band. The band was really solid, but the vocalist was pretty rough on quite a few of the songs. These guys were fun though, and I do have to say the singer can pulling off a flying leap with some serious style.




The next show was New York Funk Exchange. We were a little bit concerned at first about a female singer, but really felt she held her own and we really dug most of her songs. She had a great voice, and was good at belting it out when needed, and then letting the band really represent when it was time for that. These guys started off a bit slow, but they were a lot of fun and really represented the funk genre well at this festival. They did seem to take a while to warm up, starting off fairly structured and not doing a lot of jamming, but in the end they loosened up and each musician really got a chance to shine. Don’t kid yourself, these guys weren’t just good for the Northeast funky style, they were damn good.




Their second set on Saturday was even more playful. They were more jammy, with more spacey riffs and jazzy references. They really laid down on Stevie Wonder’s Keep On and Higher Ground. All the musicians proved on Saturday that they are seriously tight and talented, separately, and together. The bassist may have stuck out to me the most, just because it was quite apparent that he was having a great time ripping his bass apart! Other covers included Bill Withers and James Brown. Congrats NYFE, we were impressed.





Big Rhythm Wine has a rep at these festivals. These guys have been playing Hempstocks and Harvestfests for as long as I can remember. They are a “Grateful Dead Experience” band, but they really transcend the Dead sound into their own unique understanding. At this show they played a lot of older stuff, including some slower songs, so in my opinion it wasn’t the best late night show… but they really are great musicians and have a great way of invoking the old days. Especially when they play a marijuana activism festival like this… it becomes even more of a genuine GD experience. Unfortunately, their second set Saturday night was rained out… so we didn’t get another chance to really assess these guys.

Most of the day Saturday we recall hearing cover after cover… quite a few talented musicians really ripping it on stage, but after a while the cover thing does get old. However, festivals like this are a great place for local musicians to get on stage and get a chance to be appreciated for their music, and we do appreciate that role. Two of our favorite shows of the weekend were Saturday night though, and they really represented the true feeling, solidarity, and cohesion Hempstock in Harmony has the potential to be. The first was Prof. Louie and the Crowmatix. These guys were awesome. Buddy Cage, the slide steel guitarist of New Riders of the Purple Sage, came on stage and played a bunch of songs with these guys.



The accordion player, Prof. Louie, was excellent and at one point he and Cage and the guitarist of the Crowmatix got into a crazy guitar vs. slide guitar vs. accordion battle that was outstanding… I have never heard an accordion used in such a way! All three instruments so elevated and wonderful sounding…. I didn’t know an accordion could wail like that. They played covers of The Band, Dead, Dylan, and some great originals too. Our only criticism; their original Century of the Blues was good, but the sound effect on the keys was a little cheesy, we think they could have chosen something with a little more soul and a little less electronic. All in all though these guys were awesome and were definitely one of the high points of the festival for us.



The highest point of the festival was Gent Treadly with guest Buddy Cage. These guys are wild. One of my favorite aspects, after their ridiculously incredible sound, was how the bassist of Gent spoke about Hempstock. I think the importance and real point of the festival was sort of over my head the whole festival. But when Gent spoke about how long he has been coming to Hempstock, about how fucked our marijuana laws are, and how much Maine Vocals has done to work to change the current state of marijuana laws, it was then that I really felt some solidarity with the whole mission. In between acts Jon Pothead of Maine Vocals did a lot of serious and intelligent speaking about changing laws and activism, but Gent’s emotionality and connection with the festival really got me. Calling the laws “obtuse” and “fucked up” and just praising Don and all of Maine Vocals for all their hard work, I think he really got the attention of a lot of festival-goers. Of course, that could also be due to the fact that seconds before this speech he had completely rocked your face off with his nasty bass riffs… but either way, he had our attention.



The band as a whole was so powerful and playful; the bassist and guitarist did a lot of intensive back and forth playing while the drummer really held down some intricate, tight rhythms. Also, the guitarist’s voice was awesome. Prof. Louie came out and rocked the accordion with them and Cage’s unendingly ambient and otherworldly slide completed the deal. These guys were amazing. I have never heard a bassist play so many different styles all in a single song; slap, funk, slide, and pickin it… in every single tune. The man is so in tune with his bass it literally looks as natural as an arm or leg on him. They were all shredding one second, breaking it down into an ambient, encompassing jam the next, and then totally whippin’ out the funk and getting you dancing again. And again, they were all so in tune with what the festival was all about… they were really easy to identify with. People really came out of the woodwork for these guys and I’m glad… if you have never heard Gent Treadly before…. Check these guys out. Covers included Superfly, Zappa, and Dead.

To wrap it all up… start going to Hempstock guys. It’s all about solidarity, freedom, and marijuana activism. Music was touch and go, but as I said the few gems that were there were more than worth the money. As is the freedom to be peaceful and smoke. As for those of you who are hardcore Harry Brown Farm fans… me too. Just, make sure you fit in one festival at both locations; each has something different to offer and it’s really worth supporting a good cause, good tunes, and good times.

Visit www.mainevocals.net to check out more upcoming festivals in Harmony, or for information regarding medical marijuana in maine, petitions, etc!

For more pictures from the festival (and to 'Like' us! :)), visit our facebook page- The Way Live Should Be

Pictures taken by Kim Morrison and Tyler&Heather Omand
Written by Heather Omand
Edited by Kim Morrison

Festival Review: Be Here Now! at Harry's Hill in Starks, ME

BE HERE NOW! At Harry Brown's Farm


Be Here Now festival at Harry Brown’s Farm (also know as The Hill) was certainly one to remember. Both Heather and Kim attended the festival this year, with a few guest Way Live Should Be members. Here are some of our thoughts on the festival, as well as some words about some of the musicians that we were able to see!


Zach Deputy was the first act of the weekend for us. What an excellent way to start the festival off! He is like church music for the churchless soul. His voice is often reminiscent of gospel and soulful blues and many of his songs can have an almost triumphantly spiritual sound. His slower songs were filled with a sense of true emotionality, and even though they have a bit of a softer sound, they always seemed to still have a punch to them, whether in his voice or his beats, or both. Zach Deputy has the ability to get down-right funky with some faster paced songs as well, keepin' everyone on the hill groovin'. Seeing him at the hill was great, it was like our own personal Zach Deputy show! He seriously laid it down, and his talents were never in question. We are grateful that well-known artists are still willing to go out of their way to play smaller shows! After chatting a bit with him after the show, we were able to schedule an interview. Keep your eye out, it'll be out this week!


For many, The Hill is already a well-known good time festival spot, and it proved true over all. This seemed to us to be a festival where people were coming more for the atmosphere and experience just as much as the music.


Those working for The Hill did a great job at providing an active, entertaining atmosphere. During much of the music there were fire dancers, puppet shows, and various other things to engage the crowd. It is important for their to be activities for the children as well, and they did a great job creating a fun environment for everyone.

There was also an 'art zone' open to anyone and everyone. They provided all of the supplies and you could simply walk in and create anything you please. Creativity is a great thing to encourage in people of all ages!





Hot Day at the Zoo played a great show at Be Here Now on Saturday afternoon. WLSB has reviewed these guys a few times before, but we always seem to be able to say more about them, and remain one of our favorite blue grass bands. The style of "zoograss" these guys play never fails to transform the vibes and energy in any room or hill! HDATZ seemed to instill a very playful vibe on the hill, almost refueling their fans with energy for the evening that lies ahead. Heather was able to chat a bit with the guys after their set, talking a little about traditional bluegrass and newer stuff, like Yonder Mountain String Band. We are all hoping Hot Day will get to open for Yonder at Port City on October 24th!



All of the Animals were a great Boston based band kind enough to travel up to a Maine festival. These guys were very light hearted and up beat. Their sound was a bit reggae influenced with an ‘island music’ feel to it. They had a lot of fun on stage and this transferred well to the audience. They did a Led Zeppelin cover that was a lot of fun (everyone loves to let the Led out!), but we must say, the vocals were a little rough (big shoes to fill). Talking to these guys after wards was great, they're fun guys with a wide range of influences.




Hot Damn Scandal performed on Friday evening, however there were some technical difficulties with sound, and it took a very long time for them to get started. It was a bit of an awkward time; us staring at them, wondering what the hell they're all about. On stage you see various fascinating outfits, and the band consisted of trombone, saxophone, musical saw, banjo, stand up bass, and acoustic guitar. Their first few musical introductions were very Zappa in some ways… especially in the female saw players vocals. Then, as their music progressed they were a little bit slower paced than I expected, but phenomenal all the same. The lead vocalist (the guitar player) has a voice impeccably similar to that of Tom Waits and their jazzy sound often became wild… seeming like structural mass craziness on stage. The use of the banjo was especially intriguing… all in all this band was a great show with a lot of passion and power.




Hot Damn Scandal was scheduled to play again Saturday, but again due to not following the schedule and technical issues, they were bumped to Sunday. (Picture above from Sunday, missing some band mates)

This festival is definitely lacking some organization. This was frustrating at times, for both the musicians and the festival goers, but if you look a little closer, there are many positive things that come along with this. This factor is almost key to the roots and history at Harry Brown's Farm, forming a very free atmosphere revolving around marijuana activism, individuality, peace, unity and freedom of expression. If festivals on the farm were more corporately organized, you wouldn’t see as much personal freedom or individual marijuana activism and these are very important factors to many people. The one severe criticism we must make is that of the delay in all of the music during weekend. Because it is a small festival, the sound setup is primitive and sound checks were often anywhere from a half hour to an hour and a half long, often pushing bands back and/or cutting them short. We hope this is something they will work on and prepare more for.
There is another key aspect of festivals on The Hill that would go wayside if they attempted higher levels of organization; the ability to interact with artists and musicians on a very personal level. This was one of our favorite parts of the festival! It was very easy for us to go up and chat casually with the bands after their set. Although many feel they might benefit from more organization, we would be quite sad to see the personal side of this festival go away.


Bearquarium was another great group that was cut short due to technical difficulties. This was one of our favorite acts of the weekend (we've got it Bad for the funk), even though they were only able to play 5 songs. They were full of crazy, tight, get-down funkiness, which is almost crucial for a festival. These guys were quite hospitable and allowed us to enter the aquarium of bears itself (a sick redesigned bus in which their seats are not assigned) to chat a bit. Hailing from Burlington, VT Bearquarium laughed when we asked about their name. Apparently there is an old elevator shaft in an apartment building where they used to live that, through party banter, was named the Bear Aquarium and eventually this became the name of the band as well. Sounds silly, but I love a good band naming story! (we may have also spaced on some important details to this story) Check em out online, they seem to be rockin' New England quite a bit!

Incus is a wonderfully mesmerizing band that played late night on Saturday. We would describe Incus as some wild blend of The Dresden Dolls, The Talking Heads, and Radiohead, with their own unique twist. They would describe themselves as: "Drawing on influences from Middle Eastern, Native American, African and Eastern European musical traditions, Incus is redefining the American Tribal music movement. The combination of keyboards, accordion, violin, and cello with male and female vocals creates a beautifully haunting soundscape, replete with mesmerizing rhythms capable of inducing trance-like states." (Quote and picture from their website www.incus.net) Instruments played at the festival included accordion, keys, bass, drums, and bongos. They have the ability to musically manipulate you, carefully building quite emotional crescendos. The music created by Incus is obviously specially crafted, and we think many could benefit from seeing them live.




While all of these previous bands were playing on the "Maine Stage", there was also a late night stage, which is always fun, and seems to keep the late night freekers in line. There were two projections set up, some bands earlier in the day and evening, and then typically DJ's until the wee hours of the morning!



Check out more upcoming events at Harry Brown's Farm here: www.mainecommonsense.org
"Harry Brown's Farm is known through out New England as a counter-culture gathering site. Since 1991, thousands have come to the land for concerts, political assembly in support of marijuana law reform, and a unique Maine organic farm experience."

For more pictures from the festival (and to 'Like' us! :)), visit our facebook page- The Way Live Should Be

Pictures taken by Hope Duncanson, Cindi Brown, and Kim Morrison
Collaborative write up by Heather Omand and Kim Morrison.

Raptor Blew My Mind.

Last night's open mic at Woodman's brought the bar up a notch for Raptor, the new band on the scene in Orono. The band is Pete (guitar/vocals) and Josh (bass/vocals) from Restless Groove and Ben (drum/vocals) and Geof(keyboard/etc) from Suit Mullet. They also featured a new character, Jim (guitar), a music major from Umaine who was pretty insane. Raptor is a blend of so many incredible sounds and talents and I have a feeling they are going to be a favorite on the scene this fall. They have an electronic side, something I tend to shy away from, but combined with hip hop and mainstream references (almost a Bloodhoug Gang sound at one point) and laced all through with nasty, nasty instrumentals. It is incredibly danceable, incredibly fun, and incredibly addictive. It is not possible to leave a show without craving more. I
guess it just really blows my mind to hear those funky dance rhythms... but mixed with some unbelievable shredding. The vocals are intriguing; very fun and they hook you in, grab your attention, and occasionally had me laughing with sheer enjoyment. The whole sound is so skillfully crafted and conducted.. I can guarantee you havent really heard anything quite like it.