Festival Review: Be Here Now! at Harry's Hill in Starks, ME

BE HERE NOW! At Harry Brown's Farm


Be Here Now festival at Harry Brown’s Farm (also know as The Hill) was certainly one to remember. Both Heather and Kim attended the festival this year, with a few guest Way Live Should Be members. Here are some of our thoughts on the festival, as well as some words about some of the musicians that we were able to see!


Zach Deputy was the first act of the weekend for us. What an excellent way to start the festival off! He is like church music for the churchless soul. His voice is often reminiscent of gospel and soulful blues and many of his songs can have an almost triumphantly spiritual sound. His slower songs were filled with a sense of true emotionality, and even though they have a bit of a softer sound, they always seemed to still have a punch to them, whether in his voice or his beats, or both. Zach Deputy has the ability to get down-right funky with some faster paced songs as well, keepin' everyone on the hill groovin'. Seeing him at the hill was great, it was like our own personal Zach Deputy show! He seriously laid it down, and his talents were never in question. We are grateful that well-known artists are still willing to go out of their way to play smaller shows! After chatting a bit with him after the show, we were able to schedule an interview. Keep your eye out, it'll be out this week!


For many, The Hill is already a well-known good time festival spot, and it proved true over all. This seemed to us to be a festival where people were coming more for the atmosphere and experience just as much as the music.


Those working for The Hill did a great job at providing an active, entertaining atmosphere. During much of the music there were fire dancers, puppet shows, and various other things to engage the crowd. It is important for their to be activities for the children as well, and they did a great job creating a fun environment for everyone.

There was also an 'art zone' open to anyone and everyone. They provided all of the supplies and you could simply walk in and create anything you please. Creativity is a great thing to encourage in people of all ages!





Hot Day at the Zoo played a great show at Be Here Now on Saturday afternoon. WLSB has reviewed these guys a few times before, but we always seem to be able to say more about them, and remain one of our favorite blue grass bands. The style of "zoograss" these guys play never fails to transform the vibes and energy in any room or hill! HDATZ seemed to instill a very playful vibe on the hill, almost refueling their fans with energy for the evening that lies ahead. Heather was able to chat a bit with the guys after their set, talking a little about traditional bluegrass and newer stuff, like Yonder Mountain String Band. We are all hoping Hot Day will get to open for Yonder at Port City on October 24th!



All of the Animals were a great Boston based band kind enough to travel up to a Maine festival. These guys were very light hearted and up beat. Their sound was a bit reggae influenced with an ‘island music’ feel to it. They had a lot of fun on stage and this transferred well to the audience. They did a Led Zeppelin cover that was a lot of fun (everyone loves to let the Led out!), but we must say, the vocals were a little rough (big shoes to fill). Talking to these guys after wards was great, they're fun guys with a wide range of influences.




Hot Damn Scandal performed on Friday evening, however there were some technical difficulties with sound, and it took a very long time for them to get started. It was a bit of an awkward time; us staring at them, wondering what the hell they're all about. On stage you see various fascinating outfits, and the band consisted of trombone, saxophone, musical saw, banjo, stand up bass, and acoustic guitar. Their first few musical introductions were very Zappa in some ways… especially in the female saw players vocals. Then, as their music progressed they were a little bit slower paced than I expected, but phenomenal all the same. The lead vocalist (the guitar player) has a voice impeccably similar to that of Tom Waits and their jazzy sound often became wild… seeming like structural mass craziness on stage. The use of the banjo was especially intriguing… all in all this band was a great show with a lot of passion and power.




Hot Damn Scandal was scheduled to play again Saturday, but again due to not following the schedule and technical issues, they were bumped to Sunday. (Picture above from Sunday, missing some band mates)

This festival is definitely lacking some organization. This was frustrating at times, for both the musicians and the festival goers, but if you look a little closer, there are many positive things that come along with this. This factor is almost key to the roots and history at Harry Brown's Farm, forming a very free atmosphere revolving around marijuana activism, individuality, peace, unity and freedom of expression. If festivals on the farm were more corporately organized, you wouldn’t see as much personal freedom or individual marijuana activism and these are very important factors to many people. The one severe criticism we must make is that of the delay in all of the music during weekend. Because it is a small festival, the sound setup is primitive and sound checks were often anywhere from a half hour to an hour and a half long, often pushing bands back and/or cutting them short. We hope this is something they will work on and prepare more for.
There is another key aspect of festivals on The Hill that would go wayside if they attempted higher levels of organization; the ability to interact with artists and musicians on a very personal level. This was one of our favorite parts of the festival! It was very easy for us to go up and chat casually with the bands after their set. Although many feel they might benefit from more organization, we would be quite sad to see the personal side of this festival go away.


Bearquarium was another great group that was cut short due to technical difficulties. This was one of our favorite acts of the weekend (we've got it Bad for the funk), even though they were only able to play 5 songs. They were full of crazy, tight, get-down funkiness, which is almost crucial for a festival. These guys were quite hospitable and allowed us to enter the aquarium of bears itself (a sick redesigned bus in which their seats are not assigned) to chat a bit. Hailing from Burlington, VT Bearquarium laughed when we asked about their name. Apparently there is an old elevator shaft in an apartment building where they used to live that, through party banter, was named the Bear Aquarium and eventually this became the name of the band as well. Sounds silly, but I love a good band naming story! (we may have also spaced on some important details to this story) Check em out online, they seem to be rockin' New England quite a bit!

Incus is a wonderfully mesmerizing band that played late night on Saturday. We would describe Incus as some wild blend of The Dresden Dolls, The Talking Heads, and Radiohead, with their own unique twist. They would describe themselves as: "Drawing on influences from Middle Eastern, Native American, African and Eastern European musical traditions, Incus is redefining the American Tribal music movement. The combination of keyboards, accordion, violin, and cello with male and female vocals creates a beautifully haunting soundscape, replete with mesmerizing rhythms capable of inducing trance-like states." (Quote and picture from their website www.incus.net) Instruments played at the festival included accordion, keys, bass, drums, and bongos. They have the ability to musically manipulate you, carefully building quite emotional crescendos. The music created by Incus is obviously specially crafted, and we think many could benefit from seeing them live.




While all of these previous bands were playing on the "Maine Stage", there was also a late night stage, which is always fun, and seems to keep the late night freekers in line. There were two projections set up, some bands earlier in the day and evening, and then typically DJ's until the wee hours of the morning!



Check out more upcoming events at Harry Brown's Farm here: www.mainecommonsense.org
"Harry Brown's Farm is known through out New England as a counter-culture gathering site. Since 1991, thousands have come to the land for concerts, political assembly in support of marijuana law reform, and a unique Maine organic farm experience."

For more pictures from the festival (and to 'Like' us! :)), visit our facebook page- The Way Live Should Be

Pictures taken by Hope Duncanson, Cindi Brown, and Kim Morrison
Collaborative write up by Heather Omand and Kim Morrison.

Raptor Blew My Mind.

Last night's open mic at Woodman's brought the bar up a notch for Raptor, the new band on the scene in Orono. The band is Pete (guitar/vocals) and Josh (bass/vocals) from Restless Groove and Ben (drum/vocals) and Geof(keyboard/etc) from Suit Mullet. They also featured a new character, Jim (guitar), a music major from Umaine who was pretty insane. Raptor is a blend of so many incredible sounds and talents and I have a feeling they are going to be a favorite on the scene this fall. They have an electronic side, something I tend to shy away from, but combined with hip hop and mainstream references (almost a Bloodhoug Gang sound at one point) and laced all through with nasty, nasty instrumentals. It is incredibly danceable, incredibly fun, and incredibly addictive. It is not possible to leave a show without craving more. I
guess it just really blows my mind to hear those funky dance rhythms... but mixed with some unbelievable shredding. The vocals are intriguing; very fun and they hook you in, grab your attention, and occasionally had me laughing with sheer enjoyment. The whole sound is so skillfully crafted and conducted.. I can guarantee you havent really heard anything quite like it.

Victor Wooten Band, live Friday at the Port City Music Hall

The Victor Wooten Band show Friday night was unreal! Recently I have had friends expose me to jazz fusion greats like Mahavishnu Orchestra and Jean Luc Ponty, and I have watched those youtube videos always wondering what it would be like to be in the audience. I think I got a glimpse Friday night.

The Victor Wooten band is Victor on bass, Regi Wooten (older bro) on guitar, Steve “White Chocolate” Winegard on keys, and Derico Watson on drums. Their incredible blend of jazz funk fusion helped me to understand what the people in the audience of those older shows I watched on youtube experienced. The night was full of insane soloing, musical battles between members, and complicated, intricate musical climaxes involving the entire band. A song would start off with some structure, beginning as songs Victor fans may recognize. But they would quickly transcend into jazzy, but exuberantly playful and technical forays into unexpected territory. Some songs had much heavier bass and were infinitely funkier. Victor’s signature style can be picked out anywhere, but when you see him on his “solo” project you are better able to see him play the bass as if he as a person, encompassing all of himself and his powers of expression, were completely funneled through his instrument. At one point he teasingly almost told us the time signature to one of his songs, but refused in the end… however you can tell that these musicians are skilled masters of timing and unreal alterations in traditional music techniques. The music was filled with continual redirection as band members would just point to one another and all of a sudden a different person would take the lead and bring the music to an entirely different place. Steve’s outrageous key solos started off traditional, very classy jazz-esque, and then transported me to outer space with his technicality, and then back to Mexico with something very “mariachi” like. Sometimes, it made me feel like I was falling, but like in-a-dream falling… pure insanity! I have never before had the privilege to be exposed to such a free form jazzy funk escapade and I am thankful for the experience! As for Regi, I have seen some guitarists slap their instrument a little, something like when a bassist plays slap, but never ever before with the gusto and consistency as Regi Wooten. He was pulling sounds from his guitar that I didn’t even know existed. His style was almost chaotic, frenzied in some of his wilder, but wonderful solos. At one point he was flinging his arms wide and swooping them in every time he slapped it, another he and Victor battled back and forth; ever faster and more technical and more flamboyant, another he and Victor stood face to face playing eachother’s instruments so intensely that I could NOT believe my eyes, or ears! I hope you are getting the point here; MINDBLOWING would really be the key word. Yet I cannot stop without addressing Derico Watson’s intense drumming skills. I swear this man played a 15-20 minutes drum solo… at least 10 minutes of that with the entire place COMPLETELY blacked out, pitch freakin dark, with no light except tiny glowsticks attached to the very end of his sticks. This man’s sense of rhythm, of multiplicity, and timing was incredible. I could have listened to Derico Watson play the entire show solo, his drumming skills were so impressive and fulfilling. Victor made a point of mentioning that Derico only uses one foot pedal, calling him the “One Foot Wonder”.

The Victor Wooten Band played several Michael Jackson tunes (as apparently it was Jackson’s death day) and some references to other classic funk like “Rollercoaster of Love”. Victor also spoke extensively with us about his experience that morning waiting in line in NY for a new Iphone from 1 a.m. until 5a.m. His story was funny, but also refreshing with quotes like, “Now usually waiting in line for a cell phone for hours is against my nature. (many people laughed and one audience member yelled, “Nice phone though isn’t it?” Victor replied, “It’s a damn fine phone, yeah”) But everyone in the line, we all started telling stories and by the end of it all, we were all friends.” He also told of the floods in his hometown down south and while he had been lucky that his house has not been affected, many of his neighbor’s houses were and his camp had lost 3 buildings… all swept away. He spoke about community and coming together in crises… it was moving and really completed the experience for me. As did getting to take a picture of Regi Wooten with my friends Nate and Lisa, although I was too shy to get one myself.

All in all, this was a an incredible night full of banter, a chance to personally connect with musicians, and truly talented, mind blowing music. I really, really hope you were there.

EarPhunk Funks It Up In St. Louis!

Hi, my name is Kim, and I am addicted to funk. EarPhunk played at the Broadway Oyster Bar in St. Louis, MO on Friday night, and they willingly fed this addiction! The show began around 10, and they didn’t waste any time by starting off soft, as I was grooving in my seat while finishing my dinner. The band consists of rhythm and lead guitar, bass, drums, and some funky ass keys! These guys are straight from New Orleans, ready to funk your day up.





Playing shows around the South and Midwest for the past few weeks, including the music festival Wakarusa down in Arkansas last weekend, this was their last stop before heading back to New Orleans, and they killed it! Their stage presence is great, their involuntary funk faces are priceless, and they feed off of each other's musical energy quite well. For a couple of songs they were joined by a trombone player, and it was a great addition. This kid was no older than 15, and he jammed right into the funk and groove with out missin' a beat. Keep it up kid!



EarPhunk has some excellently contrived originals. At first glimpse, I viewed them as just straight-forward funk, but they throw in some twists that make their music seemingly less predictable than original funk, and a bit more raw. There’s a captivating flow to their songs; they’ll pull you into a jam, break it down to ground you a bit, then gradually build it back up into an epic musical climax. A couple of those build-ups literally had me on my tip toes. I don’t understand how anyone was sitting down for this show.



The Oyster Bar's stage is outside, but still in somewhat of an enclosed area. Regardless, those walking by the bar could easily hear the Phunk, and many were stopping in their tracks to peer in and see what these guys could do. I’d say Earphunk has the ability to lure an audience in, and keep them stickin’ around.






While taking their music seriously (quite impressive ambition for such youngin’s!), they also seem very laid back at their shows, and want their audience to be having as much fun as they are. Spectators are encouraged to dance and even join into the rhythm section via cowbell, tambourines, and whatever else, putting on a hell of a show as well as creating a great vibe.





While chatting with bassist Michael Comeaux, he stated that a lot of their songs are about 90% improv, “I think I play a different bass line almost every time.” They have constructed choruses and songs that follow certain patterns, but sure as hell like to jam, their creative juices overflowing and infecting audiences. Jamming as much as they do, I expected more repetitive grooves that each player might feel more comfortable with. However, I felt that whoever was leading at the time would work to take the jam to new places, while the band comfortably and willingly followed suit. Quite a talented and musically fused group of young musicians!



My suggestions for the band: a consistent horn section, more bass slapping and drum solos, and a New England tour!

My suggestion for you and all your funky friends? Go check out EarPhunk! You can listen to some of their tunes on their website and/or Myspace page:

www.earphunk.com or http://www.myspace.com/earphunk

Each beautiful photo was taken by Sarah Orschel!

Semester Summary and Summer Disclosure

This past semester was an influential one in the lives of the humble folks here at the WLSB. Many of the people we interviewed, hung out with and talked with all mentioned that this past semester was one of heightened creativity, connectivity and musical activity. We just want to say, we fucking loved it. Personally, I know that this past semester was my most productive ever and was definitely the most rewarding one of my college career. Again, thank you all for paying attention and being a part of the burgeoning live scene in this area.

So far, the hopes are to continue with The Way Live Should Be in the UMO area next semester. We’ll see where we’re all at. As for this summer, we’re goin’ on tour. Not really…but we’re kind of going to be all over the place and if we feel like doing reviews for shows then we’re going to and hopefully maybe some of you will read it? We’ll be in Maine, NH, CT, VT, Nevada, Missouri, Oregon, and maybe a couple other states in there….Phish shows will be attended…and multiple festivals...as well as many super hip indie shows, and local bands everywhere! Nateva festival will be kind of our midsummer reunion (SO BE THERE!), but I’m not sure if we will be capable of reporting on such an epic, musically loaded event, as it’s intensity will leave us dumbfounded. However, please keep paying attention and we will do our best to let you know whats going on all over the U.S. Let us know where we should be this summer!

So…to all those that played music for us this past semester, it’s been pretty great. We’ve gotten to see many of the bands in the area progress like crazy, and it was pretty exciting. To the bands that are sticking together: let us know what you’re doing and where you’ll be playing! Also, look down at the later blog posts, we put up a bunch of info for some pretty sweet venues in NH, phone numbers, websites, etc. Get out there!

To those bands parting ways…we hope you all take something with you from the musical experiences you’ve had up here in the Orono/Old Town area. Keep spreading your musical juices wherever the hell you may end up. Let us know what’s up with yourselves and seriously continue getting out there and play your music.
Next semester… it is likely the three of us at the WSLB will all be back. We hope to continue to be a part of the local scene and to continue to try and connect people in order to keep supporting local live music. It’s been a mind blowing semester and experience for us getting to talk so much about something we are all intensely passionate about… thanks for listening. Go see live music… and let us know how it is!

Review: Hot Day at the Zoo and Railroad Earth at Port City Music Hall

There I was again, at the mercy of Hot Day at the Zoo’s infinitely uplifting sound. HDATZ opened for Railroad Earth at the Port City Music Hall, Portland, ME this past Thursday and it was NOT a show to miss. I had actually never, ever listened to Railroad Earth before in any form, but I figured that they had to be good if HDATZ was opening for them. I won’t lie about the fact that I mainly went to see HDATZ and I wasn’t disappointed. I tell you, these gentlemen speak in String. They played three of my favorite songs off of their newer albums called Mama, One Day Soon, and Ana Maribel…. all crazy excellent jams with great, saucy lyrics. I am still waiting to hear Old Mill… but that just means I have one (of many) main reasons to continue putting HDATZ at the top of my “Go See” list. Covers included No Expectations by The Rolling Stones (truly far better as a bluegrass song.. it was meant to be) and Foxy Lady (always SO fun!). Their sound is very fulfilling, incredibly uplifting, and yet still has an edgy side that I am extremely addicted to. Those four instruments (mandolin, banjo, guitar, and standing bass) combine in ways my brain cannot fathom… I especially noticed that night that the mandolin player is able to weave in and out of the music like the wind. Hot Day at the Zoo is playing a bunch this summer and I recommend going to see them as a necessary life experience!
I repeat that Thursday was my first experience with Railroad Earth live or otherwise. I was extremely impressed and it was quite evident that each of the members of the band are incredibly talented and skillful musicians. Railroad Earth consists of banjo, mandolin, fiddle, guitar, drums, and standing bass. But don’t let that fool you… the banjo player also played guitar, flute, slide steel, and (possibly most epic) two saxophones at once (in the song Hard Livin’… a favorite of mine for the evening). Literally one sax in each hand… I’ve never seen that before! I was very impressed. Other members were similarly versatile, both the mandolin player and fiddle player switched instruments and picked up guitars at various points. I’ve never really seen so much instrument switching, and it added to the fluidity and variety of their sound. I would describe their style as full of entire body-moving, wholesome, earthy tunes with many traditional references. However they also have a strong originality, likely due to the ridiculous skill level of each individual musician. I am NOT a religious individual, but each song was like a prayer… full of spirituality and soulfulness. Some of their songs almost seemed to reference Grateful Dead and multiple times throughout the evening I felt in many ways that they were the bluegrass version of GD, due to their free-form jams and the fact that their songs build, crash and build again like waves, but with many different hypnotic riffs and sounds that completely captivate the audience. Often their songs would vividly invoke imagery of rivers, a breeze through trees...especially the songs where the banjo player played the flute.
As I mentioned earlier I am addicted to music that has some undercurrent of tension, some kind of edginess. For me, that was the only aspect missing in Railroad Earth’s music… but that’s a personal preference. If you like String Cheese or Grateful Dead I believe you will LOVE Railroad Earth… those three bands make up a genre all on their own in my opinion. And I do have to say that there are only two bands I have seen in my life that I would describe as a venerable “wall of sound”… music that hits you from head to toe… that has no gaps or unfilled spaces… music that you literally feel like you just walked into a wall (a cushy, wonderful wall). Previously those bands were just Radiohead and Dave Matthews Band, but I would say Railroad Earth also is a “wall of sound” band and it’s an experience/label I am very specific about and that I make a point of pursuing.
To sum it up… I was blown away by Railroad Earth’s musicianship and unique sound. And as always… I somehow ended up head banging for HDATZ… those guys are probably tied for first with my absolute favorite up and coming band. GO SEE LIVE MUSIC!

Free Download/Stream

Interview with Jason Hann of EOTO!

"Consisting of Michael Travis and Jason Hann, the duo mixes the organic sounds of live drums, bass and guitar through a variety of programs and gadgets to create a style of music that is more likely found in a dance club, than a live music theater. What sets EOTO apart from other artists in this emerging genre is how the music is created. While some artists may spend hours pre-mixing samples and elements of music for their live show, EOTO uses nothing pre-recorded, giving them the ability to approach each song with on-the-spot spontaneity and 100% live improvisation."

Above was taken from EOTO's publicity website: http://www.tsunamipublicity.com/epk08/EOTO/eoto_epk_08.html

“If I suspended disbelief, I could damn near believe this duo was a conduit for divine energies, holding down some seriously sacred vibes while still getting me deeper in my own embodied groove”
-Michael Garfield, Colorado Music Board CD Review, January 2010





EOTO will be gracing us with their presence at The Dime in Old Town, ME on May 9th! When we received the news, we figured it was a good idea to take a closer look at what EOTO is all about...


WLSB: So, how did you ease into the transition from the rootsy bluegrass and jamband style of String Cheese Incident into the electro-type scene?

Jason Hann: Well, it wasn't easy, and honestly was a bit difficult and painful. String Cheese had such a huge following, and that type of following was really one of the best. When we first started playing shows as EOTO, it was for much smaller crowds. People were coming out basically because it was a String Cheese side-project, everyone was wondering what we were going to do. Myspace was still kind of a big thing at the time, so we were hoping that it would take off on there, but that didn't really happen. We then started to focus in on really promoting to the electronic audience. It definitely took a while but we've gathered a larger, more diverse crowd over time. The age group we tend to attract is from 17-22.


WLSB: How long have you and Travis been playing together in this style?

JH: It started a while back as basically something to do after String Cheese practice. Travis and I would set various instruments up after practice and would end up playing until 4 or 5 in the morning. It was just fun and there was no pressure. Travis then started working with looping pedals to make things more interesting. We started feeling that the electronic grooves really worked out for what we were doing, and it kind of just went from there.


WLSB: What instruments and devices are typically used up on stage?

JH: We'll generally have bass, guitar, percussion, keys, vocals, drums, electronic percussion, and we both have laptops to control a lot of what's going on. We also use the computer program Ableton Live.

WLSB: How does the strictly improvisational factor of your music work out? Do you practice improv?

JH: We don't really practice anymore, mainly because we are playing so often. But there are different sounds that we'll experiment with, and if we like it, we'll usually work it out at home before we take it on the stage.

WLSB: Do you end songs, or is it more of a constant flow throughout the evening?

JH: The show is a lot like seeing a DJ set, so you generally get one thing into the next. At the very end of the show though, we try to slow it down a bit and ease into an ending and close out the evening.

WLSB: Does your improv style ever lead to any covers? If so, do you shy away from it or go with it?

JH: We might hint at songs sometimes, but never really do full out covers. Jump by Van Halen has come up a couple times, but that's one of the few songs that we'll jam on for a bit.

WLSB: Does EOTO typically do any on stage collaborations with other bands or performers?

JH: We've had a lot of guests up on stage with us. The guys from Umphrey's Mcgee have sat in with us before. We've had anything from cello players to rappers, as well as a couple of the guys from String Cheese Incident, and the percussionist from Stomp.


WLSB: How long until you guys felt comfortable just going up and doing your thing?

JH: It was probably about a year before we took it live. But our first show was like that. There was a lot to work out, so the next couple years were spent working things out and getting a feel for all the technology we were using.

WLSB: How would you describe your relationship with Travis up on stage? Did it take a lot of work to get to this point musically?

JH: When we started off, we would kind of talk to each other and use hand signals to let the other know what we wanted to do stylistically, faster or slower tempo, or what's next. By now we've played over 600+ shows, so we can usually hear what the other person's doing and read body language pretty well.


WLSB: What are some of your current influences?

JH: SPL, DJ Tipper, Rusko, Shpongle, and Bassnectar to name a few.


WLSB: Has EOTO ever played a seated show?

JH: We did a workshop at High Sierra, and played places with seats or had people sitting on the ground, but never a full out seated show. That's a whole other world..


WLSB: Do you tend to tap into the vibe of the audience, and does that affect the styles in which you play?

JH: It's definitely a bit of give and take in that regard. If we feel the audience is craving the dubstep, we try to give them that. We give it some time, and then when we think the audience is comfortable with what we're doing we tend to take the lead, going from genre to genre.

WLSB: How does EOTO keep it sounding new and different? Do you tend to naturally fall back into certain grooves with beats and sounds you each prefer?

JH: There are certain sounds that seem to keep coming up in our shows, but the nature that we're improvising everything kind of weeds it out. There are certain themes that will come up during shows. We have a drum themed thing we like to do, and some other one's as well.

WLSB: What do you think this type of music has to offer to the music scene as a whole?

JH: Oh, wow. Let's see...I'd say it's really about dancing as much as possible, as hard as you can. You don't have to be the most urbanite, the most hippie, or any of that. It's really light in that regard, and everyone can share the same space and just get down together. It shows what improvisational music can really be. We’re just doing our own thing and that overall experience covers a lot of ground.


Thanks again to Jason Hann for putting aside some time for us! For those who haven't had the chance to listen to EOTO, you can check out some of their shows at www.livedownloads.com
Get your tickets for EOTO May 9th at The Dime Bar! It's going to be one crazy dance party.

Keep in mind, local musicians Lost Between Sound will be opening downstairs from 7-9, and Lqd Chrch upstairs from 9-10 before EOTO!